We have been asked by Jonathan to present an artist/Group that inspires us, and that impacts on our own making of work. I could not just put x1 Artist or group that inspires me as I am still exploring various avenues of making…Sensors + Arduino, VR/Augmented Reality, IoT/Video.
So I chose x3 artists and aspects of their work that get me excited.
Andrew Thomas Huang: (VR/Augmented Reality)
I first came across the work of Andrew Thomas Huang when he directed the video for Bjork’s Stonemilker  track, it was a 360 virtual Reality experience.
Also Her ‘Vulincura, moving album cover’.
Some of his instagram ‘sketches’ are below. He seems to combine constructed objects, puppets etc..
…with 3D imagery and CGI effects.
They seem to be of strange, fierce and mythical 3D rendered creatures, which are beautiful. He is Asian/American and seems to have that affinity for a bright and powerful colour palette, oranges and turquoises mix with deep reds and day-glo limes.
TeamLab: (Sensors + Arduino)
TeamLab are a Japanese ‘Ultra Technologist Group’ comprising of UI engineers, CG animators, web designers, software architects and mathematicians.
Their founder Toshiyuki Inoko believes…
“Technology and culture can evolve society, and that the start of the information age was a revolution in Society and it will be looked back on in a few hundred years as a Renaissance and a new dawn.”
I like the fact that they take from ancient Japanese culture and thorough experimentation and innovation blur the boundaries between science, technology, art and design. They use sensors a lot to trigger particular events in their installations.
Mark Leckey: (IoT/Video)
A performance work of his, GreenScreenRefrigeratorAction (2010) touched me as it seems to me he is trying to give a plaintive voice to the object, the thing. There is a strange kind of brutal pathos in the thought of an object trying to find its voice in the world of humans and sentient beings.
The Fridge stands on a green screen infinity cyc while ‘he coaxes it into revealing its thoughts and actions’. It shows a shiny black Samsung smart fridge pondering its existence and mingling with like objects. In a scientifically-charged description that concerns its inner workings, the fridge’s anguished, robotic first person voiceover renders audible its inner life and its potential dreams. As we create increasingly smarter objects, Leckey predicts a world in which things become sentient, start communicating, and alter our environment into new digital ecosystems.
“Now, instead of wanting to seduce an object into offering up its meaning, Leckey seemed to want the object to consume him. The work began with his inhaling the gases used as coolant for a Samsung fridge: a kind of shamanistic ritual in which, in order to understand the fridge, he took on some of its characteristics. The fridge sang back a kind of mournful plainchant: “See, see, see we assemble. See we assemble. See we assemble; Samsung, Viking, Gaggenau and Whirlpool …” The work, Leckey said, is a kind of fantasy: that he could bring himself into “a state outside of myself, fridge-like, less-human, feeling like an image”. As if he wanted to dissolve into pixels.
You could see the work as nodding to the notion of the internet of things – the technology through which objects, especially consumer appliances, will be connected online and see it more broadly, as a reaction to the fact that technology is triggering strange, disruptive new relationships between humans, objects and images; people, animals and machines.”